As soon as the old detective starts talking about buying a boat and all the fish he’s going to catch, or what the view will be like from his back window when he retires, you pretty much know he’s not gonna make it. Or maybe he will, but not without taking a bullet in the gut first just to psych you out. It’s not because he’s not a good guy – in fact he’s often the most genuinely decent, likeable character. It’s because life isn’t fair, and bad guys are only clearly bad if they hurt good people. And, like a bad boyfriend/girlfriend, the movie wants to hurt you so it can be the one to make you feel better. Continue reading…
On Pop Culture Happy Hour, Linda, Stephen and Chris share what pop culture makes them cry and why.
“The Wire, he said, was essentially a Greek tragedy.” More on that and on the way the story bled into reality at Slate.
When I was about 12, my parents took me to see a stage version of Tolkien’s The Lord of the Rings performed with life-sized puppets. As Frodo was agonizing over pitching his precious ring into the fiery pit of Mount Doom, Sam, exhausted from the epic journey but determined to help his beloved friend, inched […]
The specter of Victor Frankenstein’s creature has been haunting me, confronting me with the horror if his creation and inherent in his being. He stalks me, in his way, as surely as he stalked Victor. Perhaps he’s just been curiously peering at me, as the creature watched humans in Mary Shelley’s novel, emulating our virtues […]
oh, hai! Jay Dixit ponders the humanity in lolcats (and talks to The New Yorker’s cartoons editor about them): “By articulating profound feelings through cats and marine mammals speaking garbled English, we’re able to shroud genuine emotions in pseudo-irony — which means those animals can evoke deeper emotions without fear of mockery or cheapness.”