The Cultural Gutter

dumpster diving of the brain

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Pop Culture That Makes Pop Culture Happy Hour Cry


On Pop Culture Happy Hour, Linda, Stephen and Chris share what pop culture makes them cry and why.

Behind The Wire


“The Wire, he said, was essentially a Greek tragedy.” More on that and on the way the story bled into reality at Slate.

Catharsis denied: when fiery doom
is an anti-climax

lego mount doom 2

When I was about 12, my parents took me to see a stage version of Tolkien’s The Lord of the Rings performed with life-sized puppets. As Frodo was agonizing over pitching his precious ring into the fiery pit of Mount Doom, Sam, exhausted from the epic journey but determined to help his beloved friend, inched […]

The Specter of Frankenstein

the adam of his labors

The specter of Victor Frankenstein’s creature has been haunting me, confronting me with the horror if his creation and inherent in his being. He stalks me, in his way, as surely as he stalked Victor. Perhaps he’s just been curiously peering at me, as the creature watched humans in Mary Shelley’s novel, emulating our virtues […]


oh, hai! Jay Dixit ponders the humanity in lolcats (and talks to The New Yorker’s cartoons editor about them): “By articulating profound feelings through cats and marine mammals speaking garbled English, we’re able to shroud genuine emotions in pseudo-irony — which means those animals can evoke deeper emotions without fear of mockery or cheapness.”

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    There’s a free audio book adaptation of Joe Hill and Gabriel Rodriguez’ Locke & Key at


    At Actionland, Heroic Sister Achillesgirl writes about subtitling the 1964 wuxia film, Buddha Palm. And she provides you with the subtitles and a link to the film!


    At Bleeding Cool, Cap Blackard writes about the contested homeworld of Howard the Duck. “If you’ve seen the much maligned Howard the Duck film or read any Howard the Duck stories published since 1979, you’re probably familiar with the concept of Duckworld. You know, an alternate Earth where everyone is ducks and everything is duck-themed: Ducktor Strange, Bloomingducks, etc, etc. Sounds like a recipe for a finite barrel of bad jokes, right? It is, and it’s also not Howard’s real point of origin. During his landmark initial run, Howard’s creator Steve Gerber had the down-and-out duck hailing from a world of talking animals, but all that changed when Gerber was kicked off the book and Disney flashed a lawsuit. Now, after decades of backstory fumbling, Mark Waid has reinstated Howard’s point of origin in a one-shot issue of S.H.I.E.L.D.” (Thanks, Mark!)


    At The Village Voice, Jackson Connor writes about the making of The Warriors. Amid the refurbished boardwalk and laughter of children, it’s easy to forget that Coney Island was once a place where tourists did not venture. For much of the latter half of the twentieth century, street gangs dominated this neighborhood. They ran rampant through the area’s neglected housing projects, tearing along Surf and Neptune avenues toward West 8th Street. Those gangs, or gangs like them, and that incarnation of Coney Island would form the backbone of author Sol Yurick’s 1965 debut novel, The Warriors, about the young members of a street gang. More than a decade after the novel’s publication it would be optioned and, eventually, turned into a major motion picture of the same name.” (via @pulpcurry)


    Edith Garrud taught Suffragettes jiu-jitsu and formed Emmeline Pankhurst’s Bodyguard. “The first connection between the suffragettes and jiu-jitsu was made at a WSPU meeting. Garrud and her husband William, who ran a martial arts school in London’s Golden Square together, had been booked to attend. But William was ill, so she went alone. ‘Edith normally did the demonstrating, while William did the speaking,’ says Tony Wolf, writer of Suffrajitsu, a trilogy of graphic novels about this aspect of the suffragette movement. ‘But the story goes that the WSPU’s leader, Emmeline Pankhurst, encouraged Edith to do the talking for once, which she did.'”


    At Playboy, Jake Rossen writes about the story behind the filming and the restoration of Manos: The Hands of Fate. “For a long time no one wanted to see it unless it was accompanied by MST3K’s taunts. Then, in 2011, a collector of film prints uncovered the original negative of Manos and embarked on an inexplicable project to restore the film with all the white-glove attention archivists give to Hollywood classics. His efforts would incur the wrath of a mysterious man with a fake New Zealand accent named Rupert, as well as Joe Warren, Hal Warren’s embittered son, who intends to preserve the Manos legacy at all costs.” (Thanks, Ed!)


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