As soon as the old detective starts talking about buying a boat and all the fish he’s going to catch, or what the view will be like from his back window when he retires, you pretty much know he’s not gonna make it. Or maybe he will, but not without taking a bullet in the gut first just to psych you out. It’s not because he’s not a good guy – in fact he’s often the most genuinely decent, likeable character. It’s because life isn’t fair, and bad guys are only clearly bad if they hurt good people. And, like a bad boyfriend/girlfriend, the movie wants to hurt you so it can be the one to make you feel better. Continue reading…
Last night, the Drive-In Mob watched The Horror Of Party Beach (1964) together and Mobster @Kinetograph shared this Wallace Wood and Russ Jones fumetti / photo comic adaptation of the same.
The Mysterious Order of the Skeleton Suit gathered together to harrow ourselves with the the movie Jess Franco walked away from, Zombie Lake (1982). Enjoy our harrowing here. (The Cultural Gutter is a proud Agent of M.O.S.S.)
This week Screen Editor alex MacFadyen and Comics Editor Carol Borden continue discussing The Dark Knight Rises. We both like Batman and we’re fascinated by how many different Batmans there are. Even though there are things we like about the film, we want to figure out what is it about The Dark Knight Rises‘ Batman […]
Way back in 2003, Jim Munroe conceived of a SXSW panel, “Why I Dig Working In The Cultural Gutter” and the Cultural Gutter is one of the results of that discussion. Heath Row’s Media Diet has a transcript of that panel.