The Cultural Gutter

unashamed geekery

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

RIP, Jonathan Winters

Comedian Jonathan Winters has died. The Los Angeles Times and The New York Times have obituaries. And here Marc Maron talks with Winters on the WTF Podcast.

RIP, Jane Henson

Muppet performer, designer and producer Jane Henson has died. Henson collaborated with Jim Henson to create The Muppets. The New York Times and The Los Angeles Times have obituaries. Here is a rare interview with Henson.

Listen Up

Listen Up: The Lives of Quincy Jones –a 1990 documentary about composer and musician Quincy Jones is online and complete.

Leia, Amidala and Alison Bechdel walk into a Cantina

At Wired, Laura Hudson writes about the women of Star Wars and the dearth of female characters in film and television in general. she notes,  “Criticisms about representations of gender (or race and other diversity) are often countered in fandom by analyses attempting to explain why the inequality happens according to the internal logic of [...]

RIP, Gerry Anderson

Director, producer, writer, effects pioneer and puppeteer Gerry Anderson has died.  Anderson created the Supermarionation television series: Thunderbirds, Fireball XL5, and Stingray He produced the live-action series: UFO, The Protectors and Space: 1999.  The Guardian has an obituary and two letters remembering Gerry Andreson’s legacy. And here’s Craig Ferguson’s tribute to Fireball Xl5.

RIP, Jack Klugman

Actor Jack Klugman has died. Klugman is probably best known for his roles on the tv shows The Odd Couple and Quincy, M.E. and he had roles in classic tv series such as The Twilight Zone, Inner Sanctum, Playhouse 90 and Alfred Hitchcock Presents.  His last role was in Daywalt Fear Factory’s Camera Obscura horror [...]

The Return of the Soap Opera

Soap operas One Life To Live and All My Children will be returning with online episodes! (thanks, @willmckinley)

Recapping The Jetsons: “Elroy’s TV Show”

At Paleofuture, Novak watches The Jetsons and the debates about television depicted in the episode, “Elroy’s Tv Show”: “The episode highlights the perennial debate over the role of TV programming in the American home. The latter half of the 20th century saw numerous fights over the regulation of TV programming and the battles were especially vicious [...]

Looking Back on 25 Years of Star Trek: The Next Generation

“The Next Generation awakened in me a feeling of terrible and suffocating yearning — that hopeless childish escape wish that’s the wake of a certain kind of fantasy. That feeling that in a different world you’d be happy. I carefully recorded each episode on our VCR — I remember buying the VHS tapes, in cellophane-wrapped [...]

  • Of Note Elsewhere

    This tumblr collects many bad jokes kids have invented.

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    “It’s easier to tell the same stories everyone else does. There’s no particular shame in it.

    It’s just that it’s lazy, which is just about the worst possible thing a spec fic writer can be.

    Oh, and it’s not true.”

    Kameron Hurley writes about lazy writing, cannibal llamas, female soldiers, and women here. (Thanks, James!)

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    Patton Oswalt’s multi-franchise super-movie described in his Star Wars filibuster from Parks and Recreation, animated.

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    Corrigan Vaughan writes an open letter to “Fans of Geek Things“: “I appreciate that you think I have a nice rack and that some of you even find my friends and I to be pretty. That’s very kind. I’m not, however, super in love with the fact that having a rack at all seems to preclude me from being considered a ‘real’ fan.”

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    The Black Girl Nerds Podcast discusses Black girls and women in the Heavy Metal industry with author and journalist Laina Dawes and Ursula “She-Wolf” Parson from Hear Evil News.

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    The Hollywood Reporter interviews director Takashi Miike about his new film, Shield of Straw: ” In Japan now, films are very safe. When I was young and went to old cinemas, they had a distinctive feel, an adult smell about them. As you got in your seat and the lights went down, there was a feeling of excitement: What if the film is scarier than I thought it’s going to be? You’re taken into that world. Nowadays, you can sit in the theater and know it’s going to be safe. That’s good for business, but not for filmmaking.”

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