“During the 1970’s Black filmmakers found their voices by making films that spoke to urban audiences in a way that had never been done before. Films like Sugar Hill, Abby, The Zebra Killers and so many more packed theaters with audiences hungry for Horror Movies where the Black Guy didn’t die first. 40 years later, Black horror films have made a lasting impact within the Black community. These films are national treasures and should be a part of any film collection. The Museum of UnCut Funk pays homage to the Blaxpolitation Horror films of 1974.” Click through for more. (via @GrveyardShiftSisters)
At The Toast, Mo Moulton watches Downton Abbey and discusses its portrayal of Neville Chamberlain. “Here, then, is Neville Chamberlain in 1925. He is fulfilling the expectations set by an extraordinary political family. His father, Joseph Chamberlain, ran a screw factory in Birmingham, where he became passionate about urban improvement as a method for bettering […]
Emily Nussbaum writes about Jessica Jones, Buffy the Vampire Slayer and modern times for The New Yorker. “While the fact that Jessica Jones is Marvel’s first TV franchise starring a superpowered woman—and that it was created by a female showrunner, Melissa Rosenberg—amounts to a pretty limited sort of artistic progress, the show doesn’t need to […]
Art Of The Title looks the opening credits for The Man In The High Castle, True Detective and at Momentum, Alex Maragos interviews Andrew Geraci about making the opening credits for House Of Cards.
‘The recent rise of Native-produced sci-fi films is more than an academic fascination. These diverse set of films have the power to not only help us to reimagine our assumptions about the futures of Indigenous peoples, but also to serve as a cultural mirror enabling us to reassess the Western sci-fi futures we have internalized. […]
The Atlantic profiles Max Von Sydow. “For a significant portion of his six decades onscreen, he has been the greatest actor alive. Now, in his 87th year on Earth, he may be on the verge of becoming a pop-culture icon. In December, he’ll be seen in Star Wars: Episode VII—The Force Awakens, in a role […]
The Projection Booth kindly invited the Gutter’s own Carol to join Mike White for a discussion of Amy Berg’s An Open Secret, a sad and enraging documentary about the exploitation and sexual abuse of children in the entertainment industry. Mike also interviews producer Gabe Hoffman about the film.
Dark Matters has video of director James Wong discussing how Charlie Chaplin’s biography influenced The X-Files’ episode, “Home”–and a lot more.
Art News shares 12 artist cameos on tv shows. (Thanks, Ami!)
At Playboy, Jake Rossen writes about the story behind the filming and the restoration of Manos: The Hands of Fate. “For a long time no one wanted to see it unless it was accompanied by MST3K’s taunts. Then, in 2011, a collector of film prints uncovered the original negative of Manos and embarked on an […]
Look, it’s the trailer for “The Abominable Snowman” a new episode of classic Thunderbirds. Huffington Post UK has more: “It’s exactly half a century since we heard the ominous tones of voice actor Peter Dyneley bringing us the Thunderbirds intro ‘5 -4 – 3 – 2 -1 Thunderbirds are go’, and to celebrate, the team […]
After the already-dreaded Fantastic Four came out and landed in theatres with a thud so hard in August that its own director disowned it, a school of thought emerged: maybe it’s just impossible to bring the Fantastic Four to life onscreen. The body of evidence they pointed to—which includes two other majorly-derided big-budget films, a […]
At The Toast, Laura Sook Duncombe shares, “An Ode To Dana Scully.” Scully was the hero my pre-adolescent heart craved. Watching the show for the first time was like arriving at a place I’d never been but instantly knew as home.”
Gentleman’s Gazette has a piece on the sartorial splendor of Hercule Poirot and of Captain Hastings in the BBC television adaptation of Agatha Christie’s Poirot mysteries.
At Autostraddle, Heather Hogan has “a Recap of Jem and the Holograms’ Truly Outrageous Lesbianism.” (Thanks, Sara Century!) “If you are a woman over the age of 30, I have some information that is going to send you cartwheeling back to 1987 to high five your young self and shout “We knew it! We knew it!” right in your […]
“Over the last couple of weeks, I’ve been binge-watching one of the most innovative series on television. Like many of the gems of the current TV renaissance, it features extended narratives with complex plots, intricate backstories, and layered characters. Its approach to storytelling is remarkably adventurous, shattering television, and even cinematic conventions. I’m speaking, of […]
Gail Simone remembers Yvonne Craig. “I knew a lot of boys who wanted to be Batman. But from that day to this, I wanted to be Batgirl. And to me, Yvonne Craig was Batgirl.”
Hadley Freeman profiles Amy Poehler. ‘“Amy made it clear that she wasn’t there to be cute,” Fey writes. “She wasn’t there to play wives and girlfriends in the boys’ scenes. She was there to do what she wanted to do and she did not fucking care if you like it.”’
The Projection Booth interviews actor Ed Asner.
“The truth is out there… probably somewhere in Vancouver.” Atlas Obscura travels to British Columbia’s Lower Seymour Conservation Reserve to share all the locations where X-Files shot in the woods.
Friend of the Gutter, Robert A. Mitchell writes a very moving piece about his father, growing up and The Late Show With David Letterman. “My father has been a long distance truck driver for over thirty-five years. His home is a sleeper bunk behind his steering wheel in some rest stop/parking lot/truck stop somewhere in […]keep looking »