The Cultural Gutter

going through pop culture's trash since 2003

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

The Clothes Of Hercule Poirot (And Captain Hastings)

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Gentleman’s Gazette has a piece on the sartorial splendor of Hercule Poirot and of Captain Hastings in the BBC television adaptation of Agatha Christie’s Poirot mysteries.

For Evermore: The Raven (1963)

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Carol Borden has been summoned to mysterious gathering of sorcerers in a haunted castle this week and so she is covering herself with a non-comics piece about the 1963 film, The Raven. One of my favorite things about American International Productions is their opening credit sequences. While low-budget, the opening credits are clever, creative and, […]

Strange Men and Magic

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This week’s Guest Star Kate Laity writes about the television adaptation of Jonathan Strange And Mr. Norrell. Laity is an author, Medieval Studies scholar and History Witch. At Edge-Lit 4, my publisher, Adele Wearing of Fox Spirit Books, was on a panel about Grimdark. What is ‘grim dark?’ Well, that was the first topic. It […]

“Elisabeth Luytens: Horror Queen of Composers”

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At Movie Morlocks, Kimberly Lindbergs writes about composer Elisabeth Luytens on the 106th anniversary of Luytens’ birth. “Much of Lutyens music, particularly later in life, is rather dark, jarring and cinematic. Her background in Theosophy and Eastern mysticism is apparent in the otherworldly atmosphere conjured up by her film scores and is also evident in […]

“Harrowing Books of Varying Reputability”

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At Teleport City, the Gutter’s own Carol writes about 12 books that vary in reputability and their harrowing nature. They include books by Shirley Jackson, Raymond Chandler, Patricia Highsmith and Herman Melville.

“The Blight of the Honey Bee”

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At New York Magazine, David Wallace-Wells writes about bees, colony collapse disorder and beekeeper Dave Hackenberg. “It’s been a long decade for bees. We’ve been panicking about them nonstop since 2006, when beekeeper Dave Hackenberg inspected 2,400 hives wintering in Florida and found 400 of them abandoned — totally empty. American beekeepers had experienced dramatic […]

“Strange & Norrell: III–Away With The Fairies”

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John Reppion continues his series on English magic and Jonathan Strange And Mr. Norrell. Next up, “Away With The Fairies.”

“Strange & Norrell : II–On Fairies & Witchcraft”

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John Reppion continues his discussion of Jonathan Strange & Mr. Norrell at The Daily Grail, “pluck[ing] out some of the more easily disentangled fragments of folklore, magic, and the like from the book (and the show) and takes a closer look at them.” This time, he considers fairies and witchcraft.

Interview with John Boorman

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At the Guardian, Xan Brooks interviews John Boorman, director of Point Blank (1967), Deliverance (1972), Zardoz (1974), Excalibur (1981) and the upcoming, Queen & Country. “If he could rewind to 1952 and reprise the entire trip, he cannot imagine exactly what he would change. Boorman frowns. ‘Actually, I can’t even contemplate it. I’m a completely […]

“Strange & Norrell: The Language of Birds”

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At Daily Grail, John Reppion writes about Jonathan Strange and Mr. Norrell, English magic and the language of birds.

Wolves In The Speakeasy

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Speakeasy Radio hosted an tweetalong of The Company Of Wolves followed by a short podcast where Prof. Kate Laity, Ms. Angela Englert and the Gutter’s own Carol discuss the film, author Angela Carter and werewolves. Listen to the episode of Speakeasy Radio here and see all the tweets here.

“The Bitter Tears of the Private Detective”

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At Multiglom, Anne Billson writes about Billy Wilder’s The Private Life of Sherlock Holmes and “The Bitter Tears of the Private Detective.” Last week I went to see Billy Wilder’s The Private Life of Sherlock Holmes again. And once again, as I dabbed my eyes with a hanky, I was intrigued and beguiled by the […]

“Some Famous Ghosts of the Capitol”

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Our friends at Pornokitsch share a 1898 Philadelphia Press article on ghosts of the Capitol in Washington, D.C.

Aubrey Beardsley in the Sixties

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Sweet Jane shares a 1967 fashion editorial shoot mixing mod fashion and the work of illustrator Aubrey Beardsley. (via arabellesicardi.com)

Absolute Beginners ’86

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When Julien Temple’s Absolute Beginners was released in 1986 it was met with general indifference and some critical dismissals. While the film may have some problems, today its reputation seems to be clouded by the misconception that it single-handedly ruined the prestigious British film studio Goldcrest and was universally panned. Neither of these assumptions is […]

Logan’s Run at The Projection Booth

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Our friends at the Projection Booth watch Logan’s Run and they interview authors of the original novel, William F. Nolan and George Clayton Johnson. Listen here.

The Fashion of The Avengers

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Enjoy the fashions worn by Honor Blackman, Diana Rigg, Linda Thorson, Joanna Lumley, Gareth Hunt and Patrick MacNee in The Avengers and The New Avengers.

“Keanu Reeves, I’m Sorry I Doubted You”

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At Multiglom, film critic Anne Bilson apologizes to Keanu Reeves: “Keanu Reeves, I must apologise. For years, like other film critics, I cast aspersions on your acting talent, belittled your intellect, and cracked jokes about your name, which means ‘cool breeze over the mountains’ in Hawaiian. Only now do I realise I was foolish and […]

Learning from Akira Kurosawa and Stanley Kubrick

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Tony Zhou looks at “The Geometry of a Scene” in Akira Kurosawa’s The Bad Sleep Well and Domus looks at Stanley Kubrick’s use of one-point perspective. (Make sure to watch Tony Zhou’s other video essays in his Every Frame A Painting series).

Interview With Colin Smith

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Comics Bulletin interviews friend of the Gutter Colin Smith about criticism in general and comics criticism in particular. “Despite what so many in the ever-polarising blogosphere appear to believe, criticism isn’t about delivering an opinion that the reader agrees with, or even feels comfortable with. It’s not about standing with this crowd or that, but […]

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  • Of Note Elsewhere

    Rob and Mike watch Edgar Ulmer’s The Black Cat (1934) at The Projection Booth. “The first big American studio film — and last big American studio film – directed by Edgar G. Ulmer, The Black Cat is, uh, ‘inspired’ by Edgar Allan Poe’s short story and stars Bela Lugosi and Boris Karloff in a taut game of life and death.”

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    Gentleman’s Gazette has a piece on the sartorial splendor of Hercule Poirot and of Captain Hastings in the BBC television adaptation of Agatha Christie’s Poirot mysteries.

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    At Pitchfork, Barry Walters writes about Grace Jones. “One night in 1993, I finally got my chance to see Jones perform at a local gay nightclub and took my friend Brian, whose partner Mark was too sick to join us….She didn’t back away from the elephant in the room: She dedicated one song to artist and AIDS casualty Keith Haring, who had used her body for a canvas on the occasion of her legendary 1985 Paradise Garage performance. That night’s show was remarkable for the simple fact that Jones just kept on going, granting one encore request after another, waiting patiently while the sound man scoured backing tapes to find the fans’ offbeat choices. When Jones got to such minor numbers as ‘Crush,’ it became clear that she didn’t want to leave. She was giving as much of herself as she could to the beleaguered troops, knowing full well that many wouldn’t live long enough to see her again.”

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    At Pornokitsch, The Gutter’s own dame with a shady past Carol writes about five films noir.  “Do you want to watch some film noir? I hope so, because I have five films to suggest. Films about dames gone wrong, poor doomed saps, murders, sex and modern knights errant.”

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    At The Alcohol Professor, The Gutter’s own Keith writes about Billie Holiday in a fantastic two-part piece. Part one traces “the history of Billie Holiday and NYC nightlife through the Harlem Renaissance to Café Society.” Part two covers “Billie Holiday, Frank Sinatra and the jazz scene in New York City clubs of a bygone era.”

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    The New Yorker has a profile of author Gene Wolfe. “His narrators may be prophets, or liars, or merely crazy, but somewhere in their stories they help to reveal what Wolfe most wants his readers to know: that compassion can withstand the most brutal of futures and exist on the most distant planets, and it has been part of us since ages long past.”

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