The Bowery Boys Podcast dedicates an episode to New York City in the history of comic books. “In the 1890s a newspaper rivalry between William Randolph Hearst and Joseph Pulitzer helped bring about the birth of the comic strip and, a few decades later, the comic book. Today, comic book superheroes are bigger than ever — in blockbuster summer movies and television shows — and most of them still have an inseparable bond with New York City.”
There is a gallery of Patrick Dougherty’s woven “Stickwork” installations in Salem, MA at Odd Things I’ve Seen. In a similar vein, you can see some of Joshua Walsh’s art and design for True Detective season 1.
Speakeasy Radio hosted an tweetalong of The Company Of Wolves followed by a short podcast where Prof. Kate Laity, Ms. Angela Englert and the Gutter’s own Carol discuss the film, author Angela Carter and werewolves. Listen to the episode of Speakeasy Radio here and see all the tweets here.
Dangerous Minds has a brief overview of Nudie Cohn’s life and work–including a gallery of some of his amazing designs for Hank Williams, Gram Parsons, Elvis and Keith Richards. “Nudie Cohn’s influence went way beyond country though. As he adapted with the 1960s counterculture, his work became even more subversive—the ‘pot, pills and poppies suit’ […]
At Multiglom, Anne Billson writes about Billy Wilder’s The Private Life of Sherlock Holmes and “The Bitter Tears of the Private Detective.” Last week I went to see Billy Wilder’s The Private Life of Sherlock Holmes again. And once again, as I dabbed my eyes with a hanky, I was intrigued and beguiled by the […]
Christine Smallwood writes about Dorothy B. Hughes and her book, The Expendable Man, at The New Yorker. “It is not whodunit, but who-ness itself, that she’s after. By this I do not mean that she asks why—specific motives are as mulish and unanswerable as sin. Crime was never Hughes’s interest, evil was, and to be […]
On The Media dedicates an hour to the true crime genre.
At Bitch, Liza Dadoly writes about Never Alone. “Never Alone’s plot is based around Alaskan indigenous folklore, specifically the story ‘Kunuuksaayuka,’ a tale told by storyteller Robert Nasruk Cleveland of the Inupiaq people. ‘Kunuuksaayuka’ tells of a young boy who goes out into a blizzard to discover its source and, by doing so, save his […]
PBS’ Newshour has a gallery of Norbert Ostrowski’s amazing automotive design sketches from 1946 to 1973. “The designs were never meant to leave the studios. Automakers routinely destroyed early sketches for fear they would fall into the wrong hands. But some of them made their way out of Ford, GM and Chrysler, as well as […]
Every April at the Gutter we mix things up with the editors writing something outside their usual domain. This week Comics Editor Carol writes about TV. ‘Ware ye plot details for the whole series including the series finale. “Raylan, if a book could only be judged by its cover, you’d be a best seller.” ~Boyd […]
All Things Considered reports on Make It Pop and South Korean government’s nurturing of Korean pop music, including a special department dedicated to K-Pop at the Ministry of Culture. “This included doing things like building massive, multi-million dollar concert auditoriums, refining hologram technology, and even helping regulate noeraebangs — karaoke bars — to protect the […]
NPR interviews Hank Willis Thomas on his exhibition showcasing images of white women in advertizing. It’s a follow up to his 2008 exhibition, “Unbranded: Reflections in Black by Corporate America.” “I think what happens with ads — when we put text and logos on them, we do all the heavy lifting of making them make […]
Our friends at Pornokitsch share a 1898 Philadelphia Press article on ghosts of the Capitol in Washington, D.C.
The Journal of Popular Romance Studies interviewed author Joanna Russ in 2007 about slash fiction: “Her 1985 essay, ‘Pornography By Women For Women, With Love’ helped to set the terms of the discussion for feminist scholars who followed, and it is widely cited in fan studies. Russ argues that fantasy has to be read in […]
At Hyperallergic, Jeremy Polacek writes about the history of Afrofuturism and the Brooklyn Academy of Music’s exhibit, “Space Is The Place: AfroFuturism On Film”: “Afrofuturism is an empowering rubric, an approach and aesthetic that clarifies and connects history and the hope, creativity, and pain there within. Afrofuturism is wry, wise, and leveling — it believes that a brighter, more […]
Sweet Jane shares a 1967 fashion editorial shoot mixing mod fashion and the work of illustrator Aubrey Beardsley. (via arabellesicardi.com)
“The Turing test detects if a machine can truly think like a human. The Bechdel Test detects gender bias in fiction. If you were to mash the two together to create a particularly messy Venn diagram, the overlap shall henceforth be known as the Ex Machina Zone.” More at Wired.
Our friends at the Projection Booth watch Logan’s Run and they interview authors of the original novel, William F. Nolan and George Clayton Johnson. Listen here.
At The Middle Spaces, Robert Jones, Jr. writes about Cyborg: “DC Comics’ Cyborg is my least favorite black character currently being published in comic books. He illustrates how the black body functions in a white supremacist framework and embodies so many different offensive stereotypes of black people that it is necessary to enumerate these characteristics […]
The Paris Review shares some of cartoonist Roz Chast’s intriguingly painted Easter eggs. See more at her website.
At Multiglom, film critic Anne Bilson apologizes to Keanu Reeves: “Keanu Reeves, I must apologise. For years, like other film critics, I cast aspersions on your acting talent, belittled your intellect, and cracked jokes about your name, which means ‘cool breeze over the mountains’ in Hawaiian. Only now do I realise I was foolish and […]« go back — keep looking »