The Cultural Gutter

taking trash seriously

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

RIP, Jan Hooks

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Actor and comedian Jan Hooks has died. The New Yorker has an appreciation. Kevin Nealon remembers Hooks at People.com. DListed remembers Hooks. The New York Times, The Los Angeles Times and The Hollywood Reporter have obituaries. Time collected six of her Saturday Night Live sketches. Hooks talks about life after SNL. Here she is as […]

“7 Ways Gilmore Girls Got Women Right”

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“Gilmore Girls probably owes its failure to attract widespread acclaim despite running for seven seasons to the traditional cultural devaluation of female-driven genre media, whether it comes in the form of Young Adult fiction, women’s fiction, or female-led Hollywood narratives. Given that Gilmore combined elements of all of the above, it’s no wonder the only Emmy it ever received […]

Photography’s Antichrist

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At The Guardian, Chris Campion writes about American photographer William Mortensen, who specialized in the eerie, the grotesque, the fantastic and the macabre. “In his own writings, Mortensen invoked Hogarth, Beardsley, Daumier and Goya as his forebears. But he also had much in common – in technique, style and approach – with European outlier artists […]

Devil Girl from Inverness

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The BBC’s Steven McKenzie looks at Scotland’s influence on science fiction film and a wee bit of television. (Thanks, Matt!) Like this:Like Loading…

RIP, Geoffrey Holder

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Actor, dancer, choreographer, director, designer and artist Geoffrey Holder has died. Besides his iconic role as Baron Samedi in Live And Let Die (1973), he directed and designed the costumes for the 1975 stage production of The Wiz, performed as the Metropolitan Opera Ballet’s principal dancer in 1955-6, choreographed pieces for the Holder Dance Company […]

“We Need Diverse Books”

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The Washington Post has a transcript of American Born Chinese and Boxers & Saints creator Gene Luen Yang’s speech at the 2014 National Book Festival Gala.  “We’re afraid of writing characters different from ourselves because we’re afraid of getting it wrong. We’re afraid of what the Internet might say. This fear can be a good […]

Interview with Pendleton Ward

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Rolling Stone‘s Neill Strauss profiles Adventure Time creature Pendleton Ward and talks to him about why he decided to stop running the show. “He sighs and looks down at his stomach. ‘It’s nice to just be sleepy and make stuff,’ he says. ‘That’s the root of what I like doing. Make stuff on my own […]

Interview with Michael Keaton

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Tom Chiarella conducts an Esquire interview with Michael Keaton interesting in both form and content: “Keaton. On the versions and versions and versions of himself. Glib young man, mook, weird spook, superhero, villain, operative, hitman, guy with a parakeet on his shoulder, corporate shill, and ex-superhero. He never got caught in any one. How?” Like […]

“Classy Ladies, Scary Movies”

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At Mostly Film, Blake Backlash writes about films “mixing of Hollywood’s Grande Dames with Grand Guignol.”  “Such cinematic mixing of Grande Dames and Grand Guignol had its heyday in the second-half of the sixties, and such films are sometimes (more-or-less) affectionately known as psycho-biddy pictures. They tended to feature an actress over 50 in some […]

Kevin Weir’s Haunting Images

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Photographer Kevin Weir uses vintage photographs to create haunting animation in “The Flux Machine.” The Guardian has an interview with Weir and more on his work. Like this:Like Loading…

Suffragettes, Amazons and Wonder Woman

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At the New Yorker, Jill Lepore considers the intertwining histories of women’s suffrage, feminism, Amazons and Wonder Woman. “It isn’t only that Wonder Woman’s backstory is taken from feminist utopian fiction. It’s that, in creating Wonder Woman, William Moulton Marston was profoundly influenced by early-twentieth-century suffragists, feminists, and birth-control advocates and that, shockingly, Wonder Woman […]

Art History, Digitized

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The Princeton University Digital Library has digitized three Seventeenth Century Japanese illustrated scrolls and you can view them here. Meanwhile, 100,000 images from Getty Research Institute are now available at the Digital Library of America. (via @BibliOdyssey) Like this:Like Loading…

“Leave No Black Plume As A Token: Tracing Poe’s Raven”

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At Atlas Obscura, J.W. Ocker writes about Edgar Allan Poe’s “The Raven” in monuments, memorials, artifacts and ephemera. “I spent more than a year visiting memorials, mementos, monuments, and more dedicated or connected to Edgar Allan Poe in the places he lived and visited. That meant traveling from Massachusetts all the way down to an […]

RIP, Polly Bergen

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Actor and singer Polly Bergen has died. Bergen has roles in film and television series as diverse as Desperate Housewives, Commander In Chief, The Sopranos, The Love Boat, Move Over Darling,  Cape Fear (1962), and The Polly Bergen Show.  The Los Angeles Times, The New York Times and The Guardian have obituaries. Here Rex Reed […]

A Book of Bas Relief

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Tom Burtonwood has created Folium, a book of three-dimensional printing of bas relief, for the Art Institute of Chicago from its collection. (Via Boing Boing) Like this:Like Loading…

Hail, Vulvatron of GWAR!

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We have been bereft since GWAR lost Oderus Ungerus. But lift up your heads and rejoice, fans of GWAR, there is a new member. She is Vulvatron! (via @saladinahmed) Like this:Like Loading…

Mark D. White Talks About Captain America

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At We Are Respectable Negroes, Chauncey Devega interviews friend of the Gutter Mark D. White about the virtues of Captain America. “In this, the ninth episode, of the second season of WARN’s podcast series, we talk about what comic books and superheroes can tell us about philosophy and politics, work through what makes someone ‘heroic,’ […]

“Cosplaying While Black: The Homicide of Darrien Hunt”

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At Black Girl Nerds, Jamie Broadnax writes a powerful piece about racism, cosplaying, police violence and the homicide of Darrien Hunt. “The first thing we need to do is NOT let this story scare us nor intimidate us into believing that we should be fearful of cosplaying.  We should still encourage others who may not […]

RIP, Richard Kiel

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Actor Richard Kiel has died. Kiel worked in both film and television, including performances in The Twilight Zone episode, “To Serve Man”; Eegah (1962); The Barbary Coast with William Shatner; Happy Gilmore (1996); Pale Rider (1985); as Vlad in Tangled (201); and as Jaws in The Spy Who Loved Me (1977) and Moonraker (1979).   […]

“How Dolph Lundgren Went From Chemical Engineer to Action Hero”

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“[Grace] Jones — who was famous not just for her music, but also for her acting and modeling — took Lundgren to New York, where they partied at the legendary Studio 54 and Andy Warhol took pictures of Lundgren. Jones introduced Lundgren to the world of show business. Meanwhile, Lundgren was still set to begin […]

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  • Of Note Elsewhere

    At Comics Alliance, Chris Sims talk abouts the art of lettering in comics. “Comic book lettering is up there with inking and coloring in the holy trinity of underrated comic book skills, but it’s also one of those things that, once you start paying attention to it, you’ll never be able to not notice it again. I’m not exaggerating even a little bit when I say that it’s one of those things that can absolutely ruin a comic if it’s done wrong, even if everything else is perfect. But to be honest, of those three elements, lettering is still probably the most underrated. The thing is, when it’s good, it can be absolutely gorgeous in its own right. And fortunately for us, there are a lot of people who do it very, very well.”

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    Comics Alliance suggests seven Star Wars comics to read before Disney makes them disappear. (Including a comic by one of Comics Editor Carol’s favorite creative teams–Corinna Bechko and Gabriel Hardman). “Starting in 2015, Disney’s handing the publishing of any and all new Star Wars comics over to Marvel Comics, with an all new, optimized-for-corporate-synergy canon that will spread across all their media platforms. Anything that’s not a movie (especially one of the Original Trilogy movies), or a Clone Wars cartoon, will be unceremoniously Order 66-ed out of existence, giving future filmmakers a clean-ish slate to make movies (and money) on. But what about all those Dark Horse comics? That’s where we come in with 7 Dark Horse Star Wars comics you should track down before they disappear.”

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    At the New York Observer, Ashley Steves writes about Craig Ferguson’s The Late, Late Show. “No one could ever prepare you for watching an episode of Ferguson’s Late Late Show. A friend could not sit you down and explain it (“Well, it’s really meta and deconstructive and there’s a horse”). There was really no good way to recommend it. It was something you discovered and became a part of. You had to stumble upon it on your own, perhaps restless or bored or simply curious while flipping through channels when your eye quickly caught some of the madness. And that’s the best part. It was an unexpected gift. At its worst, it could still send you to bed grinning and comforted. At its best, it was art. It was silly and fun and truly not like any other late night show.”

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    At Comics Alliance, Chris Sims interviews Ed Brubaker about his work on Batman, Gotham Central and Catwoman. “When I look back at [Catwoman], I’m so proud of the first 25 issues of that book, when I felt like everything was firing on all cylinders. I probably should’ve left when Cameron Stewart left instead of sticking around. That’s one of those things I look back at and think “Ah, I had a perfect run up until then!” (Incidentally, Comics Editor Carol’s first piece for the Gutter was about Brubaker’s first 25 issues of Catwoman).

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    At Sequential Art, Greg Carpenter writes a lovely piece about Charles Schulz’ Peanuts. “After only two installments, Schulz had solidified the rules for his comic strip.  Random acts of cruelty would punctuate this irrational world, and Schulz’s trapped little adults would be forced to act out simulations of human behavior, using hollow gestures to try to create meaning in a universe where no other meaning was evident.  If Shakespeare’s Macbeth had been a cartoonist, the results of his daily grind, “tomorrow and tomorrow and tomorrow,” might have looked somewhat similar—each character a “poor player that struts and frets his hour upon the stage” until he or she was heard from no more.”

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    The Smithsonian Magazine has a gallery of US spy satellite launches. “Just as NASA creates specially designed patches for each mission into space, [National Reconnaissance Office] follows that tradition for its spy satellite launches. But while NASA patches tend to feature space ships and American flags, NRO prefers wizards, Vikings, teddy bears and the all-seeing eye. With these outlandish designs, a civilian would be justified in wondering if NRO is trolling.”

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