The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Nettrice Gaskins Explores AfroFuturism In Virtual Worlds

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At IAfroFuturism, Ytasha interviews Nettrice Gaskins about AfroFuturism, art, math, science and virtual worlds. “I had to figure out how to immerse those who weren’t familiar with Afrofuturism using the virtual space. I wanted the avatars in the space to have an experience. I put up a gallery that allowed you to manipulate objects. I […]

Interview with Nalo Hopkinson

TVOntario interviews writer Nalo Hopkinson about utopian literature,  the ancestral experience of slavery, “noticing race” and the ideals of Toronto’s Caribana festival.

“The Pagan Pilgrim”

Ronnie Pontiac writes a fascinating essay on Thomas Morton, inciter of Puritans and founder of the Enlightenment Utopian experiment Ma-re Mount, “the American melting pot boiling hot” in the New World: “In May 1627 Tom decided to celebrate May Day with the locals. There would be food, drink, a maypole, music, dancing, and hopefully wenching; […]

“Anxiety and Optimism in Frank Hampton’s Dan Dare”

“In the very first Dan Dare adventure, which began to be serialised weekly in the Christian boy’s comic Eagle in 1950, we were introduced to the ‘ … Inter Planet Space Fleet some years in the future.’ It’s an odd organisation, in that it’s clearly meant to be Earth’s ‘Space Fleet,’ but it’s clearly really […]

Discussing The Dispossessed with Ursula K. Le Guin

ReadMOre’s Mark Tiedemann has an in depth conversation with writer Ursula K. Le Guin  about The Dispossessed.

Red Skies: Soviet Science Fiction

A thorough and well-illustrated look at Soviet science fiction, from the 1920s through the 1980s. (via SF Signal)

Bioshock and Operation Atlantis

Keith from Teleport City writes about William Stiefel’s Libertarian seasteading dream, Operation Atlantis, and BioShock:  “BioShock imagines a society built on very similar principals a those of Atlantis I, II, and III, but instead of geodesic domes floating on the surface of the ocean, Ryan’s libertarian utopia is a city at the bottom of the […]

RIP, Joanna Russ

Science fiction author and feminist and queer critic, Joanna Russ has died. She was probably best know for her novel, The Female Man and her critical text, How To Suppress Women’s Writing. Feminist Science Fiction, Fantasy & Utopia has more about Russ and her work.

Cartographic Curiosities

Step right up for your glimpse of Slate Magazine’s slideshow collection of cartographic curiosities!

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  • Of Note Elsewhere

    At Badass Digest, Gaming Editor Andrew Todd writes about “rampant issues with sexism, homophobia, and racism within the gaming industry.”

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    Jenn Frank writes about horror, games, “Tropes vs Women In Video Games” and “consuming media responsibly”: “I think what I’m getting at is, especially with the horror genre, it’s less important what a movie says and more important that you, the viewer, understand why you’re enjoying it. I believe in judicious self-awareness; a director like Nicolas Winding Refn knows exactly why he makes the directorial choices he makes, and he works those kinks right out onscreen.

    Or, if you aren’t enjoying a piece of work—if ultraviolence isn’t your thing, or if you’re suffering a visceral reaction—it’s every bit as important that you identify what about the piece is making you uncomfortable.”

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    In  Tropes vs. Women in Video Games, “Women As Background Decoration: Part 2,” Anita Sarkeesian discusses “how sexualized female bodies often occupy a dual role as both sexual playthings and the perpetual victims of male violence.” It is quite graphic in terms of violence and sexual violence.

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    Here are the films playing the Vanguard program at this year’s Toronto International Film Festival: Spring; Luna; Hyena; Goodnight, Mommy / Ich Seh, Ich Seh; Alleluia; The Duke Of Burgundy; Over Your Dead Body; Shrew’s Nest; They Have Escaped; Waste Land; The World of Kanako; and The Voices. (Trailers added as they become available).

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    Here are the films playing the Toronto International Film Festival’s Midnight Madness program: Tokyo Tribe; Big Game; Tusk; It Follows; Electric Boogaloo: The Wild, Untold Story of Cannon Films; [REC]4: Apocalypse; Cub; The Editor; and, What We Do In The Shadows and The Guest. (More trailers as they become available).

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    The Guardian has collected some responses Haruki Murakami gave to reader questions at the Edinburgh International Book Festival. “I don’t have any idea at all, when I start writing, of what is to come. For instance, for The Wind-Up Bird Chronicle, the first thing I had was the call of the bird, because I heard a bird in my back yard (it was the first time I heard that kind of sound and I never have since then. I felt like it was predicting something. So I wanted to write about it). The next thing was cooking spaghetti – these are things that happen to me! I was cooking spaghetti, and somebody call. So I had just these two things at the start. Two years I kept on writing. It’s fun! I don’t know what’s going to happen next, every day. I get up, go to the desk, switch on the computer, etc. and say to myself: ‘so what’s going to happen today?’ It’s fun!”

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