The Cultural Gutter

geek chic with mad technique

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

RIP, Liz Holzman

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Animator, writer, director and producer Liz Holzman has died. Holzman worked on Animaniacs, Pinky & The Brain, DuckTales, Smurfs, Muppet Babies and Darkwing Duck among other television series and films. The Hollywood Reporter, Animation Magazine and The Los Angeles Times have obituaries. Animation Insider has an interview with Holzman. Here is a gallery of Holzman’s […]

Paul Jenkins talks about DC, Marvel, and Boom!

Paul Jenkins explains why he’s leaving DC and Marvel in an open letter at CBR. Bleeding Cool interviews Jenkins about what’s wrong at DC and Marvel and what’s right at Boom! Studios. (Thanks, Mark!) Like this:Like Loading…

The Dark Knight and the ACME Bomb: Batman and realism part I

The ending to The Dark Knight Rises left my wife doubled over laughing in the parking lot of the theatre. I tried to take a picture for posterity, but it was too dark. Given that no one else in the audience seemed affected in the same way, I expect I’ll need to explain why: simply […]

Remembering Bob Clampett

Cartoon Brew remembers animator and puppeteer, Bob Clampett.   Like this:Like Loading…

An Outrageous Farewell

The Aquaman Shrine says good-bye to Batman: The Brave and The Bold, the cartoon in which Aquaman was the break-out star, with a look at the last episode, “Mitefall!,” and an interview with James Tucker, producer of Batman: The Brave and The Bold. Like this:Like Loading…

Daffy Duck’s Rhapsody, 1953

Warner Bros. released a single of Daffy Duck singing, “Daffy Duck’s Rhapsody”:  “Bang! Bang! Bang! I’m only 16 yards ahead!” (Thanks, Dr. O!) Like this:Like Loading…

Highly Animated

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Every April at the Gutter, the editors write about something outside their usual domains.  This month, Romance Editor Chris Szego writes about animated movies.   When I was a kid, cartoons were a real treat. I didn’t watch much TV, but Bugs Bunny and friends were mandatory viewing. We watched the show as a family, […]

Interview with Joe Lansdale

Champion Mojo storyteller Joe Lansdale talks about what makes him a champion: a crazy number of upcoming stories, a Jonah Hex animated short and his mighty understanding of the publishing industry.(Thanks, Chuck!) Like this:Like Loading…

Long Overdue Court Case

The Deleted Scenes webcomic takes a look at W. E. Coyote v. ACME Corporation. Like this:Like Loading…

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  • Of Note Elsewhere

    NPR interviews Hank Willis Thomas on his exhibition showcasing images of white women in advertizing. It’s a follow up to his 2008 exhibition, “Unbranded: Reflections in Black by Corporate America.” “I think what happens with ads — when we put text and logos on them, we do all the heavy lifting of making them make sense to us. But when you see the image naked, or unbranded, you start to really ask questions.”

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    Our friends at Pornokitsch share a 1898 Philadelphia Press article on ghosts of the Capitol in Washington, D.C.

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    The Journal of Popular Romance Studies interviewed author Joanna Russ in 2007 about slash fiction: “Her 1985 essay, ‘Pornography By Women For Women, With Love’ helped to set the terms of the discussion for feminist scholars who followed, and it is widely cited in fan studies. Russ argues that fantasy has to be read in more complex ways than simply seeing it as an effort at one-dimensional wish fulfillment. She posits fantasy as something rich and metaphorical. She reads slash as a genre that tells us new things about women’s sexuality and sexual desire, things that—in 1985—weren’t being talked about except in the very divided feminist ‘sex wars,’ where ‘pro-sex’ and ‘anti-porn’ feminists created ever more polarized stances.”

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    At Hyperallergic, Jeremy Polacek writes about the history of Afrofuturism and the Brooklyn Academy of Music’s exhibit, “Space Is The Place: AfroFuturism On Film”:  “Afrofuturism is an empowering rubric, an approach and aesthetic that clarifies and connects history and the hope, creativity, and pain there within. Afrofuturism is wry, wise, and leveling — it believes that a brighter, more equal, funkier future is within the realm of possibility. You can be different; this world can be different — self-invention commingles with worldly reinvention; Africa is both glorious past and technocratic future.

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    Sweet Jane shares a 1967 fashion editorial shoot mixing mod fashion and the work of illustrator Aubrey Beardsley. (via arabellesicardi.com)

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    BBC Radio 4 is presenting an adaptation of Ursula Le Guin’s The Left Hand Of Darkness. You can listen to the first episode here. There are also other features, including an interview with Le Guin. (via Pornokitsch)

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