The Cultural Gutter

taking the dumb out of fandom

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Saturday Morning Happy Hour

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Racial epithets. Topless women. Speeches interrupted by blowjobs. Steve Guttenberg. Doesn’t seem like fodder for a Saturday morning cartoon show. But in the late 80s the film Police Academy, which subjected viewers to such adult situations, spawned an animated series of the same name. Running for two seasons, the series featured the original franchise’s characters–Mahoney, […]

HELLO DOCTOR NAME CONTINUE YESTERDAY TOMORROW

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I had really hoped that my list of the top 10 films of the decade would be more surprising. Or perhaps I just assumed that I was less predictable. I thought about a lot of other films, some of which you’ll see in my runners-up rundown at the foot of this article, but these are […]

HIS SOUL’S STILL DANCING

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In the course of making The Bad Lieutenant: Port of Call – New Orleans, Werner Herzog seems to have discovered how to save Nicolas Cage: let him drown. Like this:Like Loading…

Werner TKO’s Chuck Every Time

5 reasons Werner Herzog is more badass than Chuck Norris (even with his action jeans). Like this:Like Loading…

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  • Of Note Elsewhere

    Actor, director, writer and artist Leonard Nimoy has died. Nimoy was most famous for playing Spock in Star Trek, but he also appeared in Invasion of the Body Snatchers (1978), In Search Of…, Ancient Mysteries, Columbo, Fringe, The Man from U.N.C.L.E., Faerie Tale Theatre, Mission: Impossible, Dragnet and Bonanza.  Nimoy directed Three Men And A Baby (1987), two Star Trek films and an episode of Night Gallery (“Death on a Barge”) among others. The New York Times and The Guardian have obituaries. Here are some tweets from William Shatner’s online memorial for Nimoy. George Takei remembers Nimoy. Zachary Quinto remembers Nimoy. EW also has other remembrances, including one from President Obama. Code Switch’s Steve Haruch discusses Spock’s importance as a biracial character. Nimoy talks about his work at the Archive of American Television. You can see some of Nimoy’s photography here. And a reminder that Nimoy had an Etsy shop.

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    At Graveyard Shift Sisters, Ashlee Blackwell considers Jonathan Demme’s Beloved as a horror film as part of their Black History & Women In Horror Month series. “Beloved takes us on one journey of the Black American experience of slavery through the body of a Black female protagonist.”

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    Watch Nigerian writer and director Nosa Igbinedion’s Oya: The Coming Of The Orishas here.

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    At Bitch Media, Sara Century wonders why Michonne isn’t in charge and considers which medium is better for the ladies of The Walking Dead: comics or tv. “As I was thinking about the numerous questionable writing choices made with these could-be-so-great female characters, I got to wondering, which medium is better for the ladies of The Walking Dead: the TV show or the comic? In other words, which one is less sexist?

    I wrote up a short list of the main female characters that appear both on the show and in the comic to decipher the differences in how these women are written. These descriptions contain spoilers through season five of the TV show, because it’s impossible to write about The Walking Dead without talking about how people die all the time.”

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    Vixen Varsity shares Olufemi Lee-Johnson’s tribute to Milestone Media and Dwayne McDuffie. “For the first time in my life, I was around comic writers of color telling stories that mirror or surpassed the storylines of America’s favorite heroes. Icon dealt with being the ultimate immigrant and not understanding current black culture. Rocket (Raquel Irvin) was his guide, but also aspired to be more than just a woman in the projects. Static (Virgil Hawkins) was just a normal teenager dealing with fitting into school and then was put into this extraordinary circumstance of being a hero. Hardware (Curtis Metcalf) wanted respect from his mentor, but later learned about the bigger picture when it came to being a hero and the characters from Blood Syndicate…they were just trying to make it day by day and maintain their respect as a gang.”

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    At Soundcheck, John Schaefer talks with Jim Jarmusch about “making music for someone else’s films, and a penchant for walking the tightrope between narrative and abstract art in his own movies. And if you thought his C.V. was looking a little thin, Jarmusch is also working on an upcoming opera about the Serbian-American inventor Nikola Tesla, with Robert Wilson and composer Phil Kline.” (Thanks, Kate!)

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