The Cultural Gutter

hey, there's something shiny down there...

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Saturday Morning Happy Hour

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Racial epithets. Topless women. Speeches interrupted by blowjobs. Steve Guttenberg. Doesn’t seem like fodder for a Saturday morning cartoon show. But in the late 80s the film Police Academy, which subjected viewers to such adult situations, spawned an animated series of the same name. Running for two seasons, the series featured the original franchise’s characters–Mahoney, […]


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I had really hoped that my list of the top 10 films of the decade would be more surprising. Or perhaps I just assumed that I was less predictable. I thought about a lot of other films, some of which you’ll see in my runners-up rundown at the foot of this article, but these are […]


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In the course of making The Bad Lieutenant: Port of Call – New Orleans, Werner Herzog seems to have discovered how to save Nicolas Cage: let him drown.

Werner TKO’s Chuck Every Time

5 reasons Werner Herzog is more badass than Chuck Norris (even with his action jeans).

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    At Playboy, Jake Rossen writes about the story behind the filming and the restoration of Manos: The Hands of Fate. “For a long time no one wanted to see it unless it was accompanied by MST3K’s taunts. Then, in 2011, a collector of film prints uncovered the original negative of Manos and embarked on an inexplicable project to restore the film with all the white-glove attention archivists give to Hollywood classics. His efforts would incur the wrath of a mysterious man with a fake New Zealand accent named Rupert, as well as Joe Warren, Hal Warren’s embittered son, who intends to preserve the Manos legacy at all costs.” (Thanks, Ed!)


    At Die, Danger, Die, Die, Kill!, Todd reviews the two part Ghanian director Ninja’s film, 2016. “2016 is a movie that I am obligated to review by virtue of my having long ago joined the internet chorus of people trumpeting on about its insane trailer—and this despite the fact that all of you with any interest in seeing it have most likely tracked it down already. In that case, you already know that it is essentially a no-budget remake of Independence Day set in the suburbs of Ghana. And if that sounds like a massive over-reach to you, you obviously know very little about Ghanaian action cinema, and even less about the films of maverick multi-hyphenate Ninja.”

    Read about part one, here, and part two, here.


    Look, it’s the trailer for “The Abominable Snowman” a new episode of classic Thunderbirds. Huffington Post UK has more: “It’s exactly half a century since we heard the ominous tones of voice actor Peter Dyneley bringing us the Thunderbirds intro ‘5 -4 – 3 – 2 -1 Thunderbirds are go’, and to celebrate, the team are producing three brand new original episodes, based on audio-only recordings made in 1966, which means fans will get to enjoy the original voices, with some 21st century gadgetry thrown in on screen.” (Thanks, Todd!)


    At the Guardian, Elizabeth Day talks with Geena Davis about feminism, sexism in the film industry and the Geena Davis Institute on Gender in Media. “I mean, it’s freaky when you start examining it. For decades it’s been the same ratio – we’ve all grown up on that ratio. Could it be that women’s presence stalls at about the rate of female participation in the fiction that we watch? Could it be you get to that level and you feel done? That that looks normal? It’s just a completely unconscious image that we have in our heads that women only need to take up a certain amount of space and then we’ve done right by them.”


    At fbomb, Sabrina N. interviews Ashley Armitage. “21-year-old Seattle-based photographer and filmmaker Ashley Armitage’s work is largely a tribute to female friendships and femininity. Her dreamy, nuanced photography lets viewers into the intimate, magical moments of girlhood. They depict beauty routines and sleepovers. They unabashedly celebrate and normalize body hair, tampons and bras. The collection is a celebration of girlhood by one of its own products.” (via @GeekGirlCon)


    You can read every issue of No Magazine. “Be warned before you download and open these issues—they aren’t exactly safe for workplace viewing. If Larry Flynt and the Vienna Aktionists got together and published a punk zine in the late ‘70s, it would have looked a lot like NO MAG. NO MAG‘s publisher Bruce Kalberg, and the sordid turns of his life, were recently covered in LA Weekly‘s piece ‘Beautiful Loser, Tortured Killer.’”  (Thanks, Stephanie).


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