The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

Naked Woman (Steep Hill)

Naked Woman menu 2

One night, when I was poking around on the internet for something mindless to play, I stumbled across a game called Naked Woman (Steep Hill). The description: “Control the fate of a naked woman riding down a steep hill. 20 options decide her doom. Feel free to suggest any other fates she can face!” My […]

The Dark Knight and the ACME Bomb: Batman and realism part I

The ending to The Dark Knight Rises left my wife doubled over laughing in the parking lot of the theatre. I tried to take a picture for posterity, but it was too dark. Given that no one else in the audience seemed affected in the same way, I expect I’ll need to explain why: simply […]

Highly Animated

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Every April at the Gutter, the editors write about something outside their usual domains.  This month, Romance Editor Chris Szego writes about animated movies.   When I was a kid, cartoons were a real treat. I didn’t watch much TV, but Bugs Bunny and friends were mandatory viewing. We watched the show as a family, […]

Long Overdue Court Case

The Deleted Scenes webcomic takes a look at W. E. Coyote v. ACME Corporation.

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  • Of Note Elsewhere

    “During the 1970’s Black filmmakers found their voices by making films that spoke to urban audiences in a way that had never been done before. Films like Sugar Hill, Abby, The Zebra Killers and so many more packed theaters with audiences hungry for Horror Movies where the Black Guy didn’t die first. 40 years later, Black horror films have made a lasting impact within the Black community. These films are national treasures and should be a part of any film collection. The Museum of UnCut Funk pays homage to the Blaxpolitation Horror films of 1974.” Click through for more. (via @GrveyardShiftSisters)

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    Mubi has a collection of film posters designed by Eva Švankmajerová, Surrealist painter, writer and filmmaker. Learn more about Eva Švankmajerová with an posthumous interview with Gwendolyn Albert, the translator of her novel, Baradla Cave.

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    At The Toast, Mo Moulton watches Downton Abbey and discusses its portrayal of Neville Chamberlain. “Here, then, is Neville Chamberlain in 1925. He is fulfilling the expectations set by an extraordinary political family. His father, Joseph Chamberlain, ran a screw factory in Birmingham, where he became passionate about urban improvement as a method for bettering the lives of his workers. As Liberal mayor of Birmingham, he was an early, passionate proponent of what became known as “gas and water socialism”: he wanted to put those services within reach of every resident by putting them under the management of local government. So far, it’s hard to imagine the Earl of Grantham having much in common with this energetic, egalitarian entrepreneur.”

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    In honor of Black History and Women In Horror Month, Graveyard Shift Sisters take a look at Audre’s Revenge Film collective, which was founded by Monika Estrella Negra:  “Audre’s Revenge Film was created in order to promote visibility of womyn, queer, trans and intersex folks of color in the sci fi and horror universe.

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    Please enjoy an hour of rare Bollywood synth funk (and an interview with DJ Fitz who put the mix together). (via @BethLovesBolly)

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    Nick Den Boer and Davy Force’s The Chickening is finally available to haunt your dreams forever. (The Gutter’s own Carol posted about The Chickening on the Toronto International Film Festival’s official Midnight Madness program blog here and here).

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