The Czech science fiction comedy I Killed Einstein, Gentlemen (Zabil jsem Einsteina, panove) starts off with a fairly shocking scene, even by the standards of today: two bearded men locked in the throes of a passionate kiss. It’s a fake-out, we soon learn, a way to introduce both the central premise of the plot — the future has been ravaged by radioactive fallout that has caused women to grow beards — and the fact that this movie is going to have a grand time tweaking its nose at gender expectations, stereotypes, and comfort zones. The comedy is a mix of subtle and slapstick, something like Monty Python meets Charlie Chaplin meets the Marx Brothers, with a bit of Benny Hill-esque sex farce thrown in. Sadly, no one ever pats an old man on the head, though I’m sure Karel Effa (who should have teamed up with HK comedy actor Richard Ng) would have been up for it. Continue reading…
Debbie Moon ponders the “Hyper-Capable Wounded Sparrow” and Captain America: The Winter Soldier: “The Hyper-Capable Wounded Sparrow is always male, and he’s that guy who can kill a roomful of people without breaking a sweat – but who is massively emotionally vulnerable, has no social support system, and is incapable of interacting with civilized society. […]
Maureen Ryan writes about Tyrant and the lazy use rape as a trope. “I’m just so tired of violence against women being used as storytelling No-Doz–something to juice up the proceedings and then discard at will.”
Writer, director, actor and producer Paul Mazursky has died. Mazursky directed Bob And Carol And Ted And Alice (1969), Harry And Tonto (1974), An Unmarried Woman (1978), Moscow On The Hudson (1984), Down And Out In Beverly Hills (1986), Enemies, A Love Story (1989). Mazursky was Emmanuel Stoker in The Blackboard Jungle (1955), a tv […]
“For the ordinary dude to be triumphant, the Strong Female Character has to entirely disappear into Subservient Trophy Character mode. This is Trinity Syndrome à la The Matrix: the hugely capable woman who never once becomes as independent, significant, and exciting as she is in her introductory scene.” Tasha Robinson writes more about this in […]
Actor and activist Ruby Dee has died. Dee appeared in many roles in film, television and on stage. She appeared in St. Louis Blues (1958), A Raisin in the Sun (1961), Guiding Light (1967), Peyton Place (1968-9), Buck and the Preacher (1972), Do The Right Thing (1989), Jungle Fever (1991), American Gangster (2007). Josie Pickens […]
The Gutter’s own Carol shares a bit of her hardboiled Godzilla detective fiction at Monstrous Industry. Here’s a segment from “Three Kings” and two from “A Mark In Blue.”: ‘“Hell,’ I muttered, glancing down. My side was a mess of rearranged gears and blue coolant weeped from a broad gash. There was another smear of […]
Attention mathematicians and Simpsons fans: On Numberphile, Simon Singh and Brady Haran discuss Fermat’s Last Theorem’s appearances in culture and evaluate Homer Simpson’s solution.
In writing about Watch Dogs, Samantha Allan discusses white male characters as a default setting in games: “Games released at the start of a console cycle (like Bungie’s Halo: Combat Evolved for the original Xbox) tend to push the technical characteristics of gaming forward, while trotting out the same staid characters and story lines. Late […]
At Salon, Matt Ashby and Brendan Carroll write about irony and cynicism, sincerity and honesty in art: “At one time, irony served to challenge the establishment; now it is the establishment. The art of irony has turned into ironic art. Irony for irony’s sake. A smart aleck making bomb noises in front of a city […]
“Fan-crafted theorizing is fun enough – it’s a solid way to keep up audience engagement over a show’s run and even inject excitement into series that might be flailing on its own (see: that horrifying “dead mother” theory that’s been circulating amongst How I Met Your Mother fans, which is either entirely insane or decidedly […]
“In the world of online film discourse, there’s a veritable cottage industry devoted to bringing certainty to ambiguity.” The Dissolve has more. Meanwhile, Film Critic Hulk writes about film logic, plot holes and “THE ONLY ANSWER THAT ACTUALLY MATTERS.”
Actor, writer and director Harold Ramis has died. He is probably best known for SCTV, Animal House, Meatballs, Stripes, Caddyshack, Ghostbusters, Ghostbusters II, and Groundhog Day. He also had memorable roles in As Good As It Gets and Knocked Up. The Chicago Tribune, The New York Times and The Los Angeles Times have obituaries. The […]
“To be fair, I have no idea whether [Will Ferrell] had input into the script of The Lego Movie or not. But the mere fact that he was cast as the movie’s villain should have been a giveaway as to its ideology. For more than a decade now, Ferrell’s starred in big, dumb films of surprising political […]
Comedian, actor and writer Sid Caesar has died. The New York Times and Variety have obituaries. Time has gathered clips of his work. The Archive of American Television has an interview with Caesar here.
Sumiko Saulson shares a list of twenty Black women in horror writing. “February is Black History Month here in the United States. It is also Women in Horror Month (WiHM). As an Ambassador for WiHM, and as a woman of color (I am Black and Jewish) who is a horror writer, I am poignantly aware […]
Colin Smith says farewell and shuts down his excellent, inspiring and thoughtful comics blog, Too Busy Thinking About My Comics. We’ll miss it very much.
Linda Holmes shares some thoughts about writing about pop culture: “Sometimes funny stories are just funny stories, and funny writing about silly things is just funny writing about silly things. But that’s not the whole story.”
Author Ida Pollock has died. Writing under multiple noms de plume, Pollock published 120 books and was a founder of the Romantic Novelists Association. The Mary-Sue has an obituary. NPR talks with her daughter, Rosemary Pollock. The Telegraph has an overview of her career.
Chris Sims writes about Harley Quinn, Batman: The Animated Series, and the problem with getting Harley wrong. “See, that’s the tragedy of Harley Quinn, the thing that makes her so compelling underneath all the bright, poppy cheer. She’s in love with someone who will never, ever love her back. Someone who can never, ever love […]
Jason Pargin (aka, David Wong) and Jack O’Brien talk about the very precise plot conventions of big Hollywood movies and how they shape our expectations in watching films on the Cracked podcast.keep looking »