The Cultural Gutter

we've seen things you people wouldn't believe

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“Drag Is Raw: Wrestlers, Queens And Gender As A Performance Art”

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At Monkey See, Libby Hill considers RuPaul’s Drag Race and the World Wrestling Entertainment’s Monday Night Raw. “To compare WWE’s Monday Night Raw to RuPaul’s Drag Race may seem like an easy punch line to those who dismiss both as lowbrow entertainment pitched to niche audiences. But those who indulge in both (almost assuredly a […]

RIP, Ultimate Warrior

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Professional wrestler the Ultimate Warrior (née, James Brian Hellwig) has died. The WWE shares reactions to Warrior’s death. The Masked Man has an obituary at Grantland. SBNation, ABC News and Newsday remember Warrior. Time shares Warrior’s best mic work. Like this:Like Loading…

Chris Benoit vs. Triple H

Paul Casey illuminates “Wrestling’s Dark Heart” in discussing responses to the lives and careers of wrestlers Chris Benoit and Triple H. “Chris Benoit, unlike Triple H, is not just a sign of ‘business as usual.’ He is the sign of not only a callous indifference to the health of these athletes by the audience who […]

Maybe Reality Isn’t the Point

Define reality. I’m not a big follower of reality tv shows, although I find myself sucked in to an episode if I start watching. Sometimes I appreciate the talent and sometimes I’m just rubbernecking at the train-wreck drama or the otherness of other people’s lives, but when my favorite contender on The Glee Project was […]

RIP, Macho Man Randy Savage

Wrestling superstar Macho Man Randy Savage has died.  The L.A. Times has responses from members of the wrestling community, including Hulk Hogan, Mick Foley and Dwayne “The Rock” Johnson.  Wade Keller of ProWrestling Torch remembers Randy Savage here. Like this:Like Loading…

Evil Seen

The Vault of Horror has a behind the scenes look at the development of the script for World Wrestling Entertainments’ original film, See No Evil. Like this:Like Loading…

Learning Vince’s Dirty Moves

Wrestling with issues of exploitation.

In July 1996, Hulk Hogan shocked the world by becoming what oppressed him the most as a hero in the 1980s: he turned heel. As the garbage filled the ring, he told Mene Gene Okerland, “As far as I’m concerned, all this crap in the ring represents the fans out here. ” That year Pro […]

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  • Of Note Elsewhere

    At Comics Alliance, Chris Sims talk abouts the art of lettering in comics. “Comic book lettering is up there with inking and coloring in the holy trinity of underrated comic book skills, but it’s also one of those things that, once you start paying attention to it, you’ll never be able to not notice it again. I’m not exaggerating even a little bit when I say that it’s one of those things that can absolutely ruin a comic if it’s done wrong, even if everything else is perfect. But to be honest, of those three elements, lettering is still probably the most underrated. The thing is, when it’s good, it can be absolutely gorgeous in its own right. And fortunately for us, there are a lot of people who do it very, very well.”

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    Comics Alliance suggests seven Star Wars comics to read before Disney makes them disappear. (Including a comic by one of Comics Editor Carol’s favorite creative teams–Corinna Bechko and Gabriel Hardman). “Starting in 2015, Disney’s handing the publishing of any and all new Star Wars comics over to Marvel Comics, with an all new, optimized-for-corporate-synergy canon that will spread across all their media platforms. Anything that’s not a movie (especially one of the Original Trilogy movies), or a Clone Wars cartoon, will be unceremoniously Order 66-ed out of existence, giving future filmmakers a clean-ish slate to make movies (and money) on. But what about all those Dark Horse comics? That’s where we come in with 7 Dark Horse Star Wars comics you should track down before they disappear.”

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    At the New York Observer, Ashley Steves writes about Craig Ferguson’s The Late, Late Show. “No one could ever prepare you for watching an episode of Ferguson’s Late Late Show. A friend could not sit you down and explain it (“Well, it’s really meta and deconstructive and there’s a horse”). There was really no good way to recommend it. It was something you discovered and became a part of. You had to stumble upon it on your own, perhaps restless or bored or simply curious while flipping through channels when your eye quickly caught some of the madness. And that’s the best part. It was an unexpected gift. At its worst, it could still send you to bed grinning and comforted. At its best, it was art. It was silly and fun and truly not like any other late night show.”

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    At Comics Alliance, Chris Sims interviews Ed Brubaker about his work on Batman, Gotham Central and Catwoman. “When I look back at [Catwoman], I’m so proud of the first 25 issues of that book, when I felt like everything was firing on all cylinders. I probably should’ve left when Cameron Stewart left instead of sticking around. That’s one of those things I look back at and think “Ah, I had a perfect run up until then!” (Incidentally, Comics Editor Carol’s first piece for the Gutter was about Brubaker’s first 25 issues of Catwoman).

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    At Sequential Art, Greg Carpenter writes a lovely piece about Charles Schulz’ Peanuts. “After only two installments, Schulz had solidified the rules for his comic strip.  Random acts of cruelty would punctuate this irrational world, and Schulz’s trapped little adults would be forced to act out simulations of human behavior, using hollow gestures to try to create meaning in a universe where no other meaning was evident.  If Shakespeare’s Macbeth had been a cartoonist, the results of his daily grind, “tomorrow and tomorrow and tomorrow,” might have looked somewhat similar—each character a “poor player that struts and frets his hour upon the stage” until he or she was heard from no more.”

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    The Smithsonian Magazine has a gallery of US spy satellite launches. “Just as NASA creates specially designed patches for each mission into space, [National Reconnaissance Office] follows that tradition for its spy satellite launches. But while NASA patches tend to feature space ships and American flags, NRO prefers wizards, Vikings, teddy bears and the all-seeing eye. With these outlandish designs, a civilian would be justified in wondering if NRO is trolling.”

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