The Cultural Gutter

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"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

“Drag Is Raw: Wrestlers, Queens And Gender As A Performance Art”

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At Monkey See, Libby Hill considers RuPaul’s Drag Race and the World Wrestling Entertainment’s Monday Night Raw. “To compare WWE’s Monday Night Raw to RuPaul’s Drag Race may seem like an easy punch line to those who dismiss both as lowbrow entertainment pitched to niche audiences. But those who indulge in both (almost assuredly a […]

RIP, Ultimate Warrior

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Professional wrestler the Ultimate Warrior (née, James Brian Hellwig) has died. The WWE shares reactions to Warrior’s death. The Masked Man has an obituary at Grantland. SBNation, ABC News and Newsday remember Warrior. Time shares Warrior’s best mic work.

Chris Benoit vs. Triple H

Paul Casey illuminates “Wrestling’s Dark Heart” in discussing responses to the lives and careers of wrestlers Chris Benoit and Triple H. “Chris Benoit, unlike Triple H, is not just a sign of ‘business as usual.’ He is the sign of not only a callous indifference to the health of these athletes by the audience who […]

Maybe Reality Isn’t the Point

Define reality. I’m not a big follower of reality tv shows, although I find myself sucked in to an episode if I start watching. Sometimes I appreciate the talent and sometimes I’m just rubbernecking at the train-wreck drama or the otherness of other people’s lives, but when my favorite contender on The Glee Project was […]

RIP, Macho Man Randy Savage

Wrestling superstar Macho Man Randy Savage has died.  The L.A. Times has responses from members of the wrestling community, including Hulk Hogan, Mick Foley and Dwayne “The Rock” Johnson.  Wade Keller of ProWrestling Torch remembers Randy Savage here.

Evil Seen

The Vault of Horror has a behind the scenes look at the development of the script for World Wrestling Entertainments’ original film, See No Evil.

Learning Vince’s Dirty Moves

Wrestling with issues of exploitation.

In July 1996, Hulk Hogan shocked the world by becoming what oppressed him the most as a hero in the 1980s: he turned heel. As the garbage filled the ring, he told Mene Gene Okerland, “As far as I’m concerned, all this crap in the ring represents the fans out here. ” That year Pro […]

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  • Of Note Elsewhere

    At RogerEbert.com, Alan Zilberman explores the history of the eye in cinema from Carl Theodor Dreyer’s The Passion of Joan of Arc (1928) to Mark Cahill’s I Origins (2014). (via Matt Zoller Seitz)

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    At Never Get Off The Bus, Debbie Moon writes about Captain America: First Avenger. “When adapting existing material, it’s easy to assume that in order to reach point F, you simply have to work through points A – E. To set up Steve Rogers in the modern world, simply romp briskly through everything that happened before he got there. But your character may not be undergoing a single united emotional journey during that period. “

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    At Sequart, friend of the Gutter Colin Smith is taking an exhaustive look at the American superhero comics of Mark Millar–and by exhaustive, we mean, “28 Part.”

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    Friend of the Gutter, Will McKinley writes about his past as a soap opera fan and the return of a classic soap opera, The Doctors, and its significance for the genre.

     

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    Action choreographer, director and stunt performer Panna Rittikrai has died. Films Panna worked on, whether as a choreographer, director, producer and/or actor include: Born To Fight / Gerd Ma Lui (1986 and 2004), Tom Yum Goong (2005), Chocolate (2008), Spirited Killer (1994),  Power Kids (2009),  Dynamite Warrior/Khon Fai Bin (2006), Bangkok Knockout (2010) and all three Ong-Bak films (2003, 2008, 2010).  Film Business Asia, The Bangkok Post and Wise Kwai’s Thai Film Journal have obituaries. City On Fire and Far East Films also remember Panna. Here’s an interview with Panna from Thai Indie.  Panna kicks ass in this tribute video.

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    Actor and singer Elaine Stritch has died. Stritch worked extensively on Broadway, but she also appeared in September (1987), Small Time Crooks (2000), Monster-In-Law (2005), the British television series, Two’s Company3rd Rock From The Sun, My Sister Eileen and 30 Rock. The New York Times Variety and The Detroit Free Press. Saara Dutton remembers Stritch in her piece, “In Praise of Broads.” Here Stritch performs, “Zip” from Pal Joey, “Why Do The Wrong People Travel?” from Sail Away and “I’m Still Here” at the White House. Here she is in a 2008 production of Endgame. And here she is on Theater Talk.

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