The Cultural Gutter

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10 Comics I Liked In 2012

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Tales of derring-do! Girl adventurers! Occult mystery! Infernal foes! Secrets revealed! Pirates! Love, loss & betrayal! Intricate art bound in lovely hardcovers! Indie going mainstream! Original creations! It’s been an incredible year for comics. So many good ones that I can’t even begin to claim to know what would be the best comics of 2012. […]

“What time is it?”

Hero Complex has an algebraic article about Adventure Time! Like this:Like Loading…

Kids Do Read Comics

Comics Beat ‘s Torsten Adair goes through The New York Times bestseller list and draws some conclusions, “Right now, it seems that diversity is the zeitgeist, as non-fiction, non-comics publishers are selling well to the general public, and that kids’ books are a growing market.” Like this:Like Loading…

RIP, Donald Sobol

Author Donald Sobol has died.  NPR has an obituary.  At  All Things Considered, crime novelist Jonathan Hayes  remembers Sobol’s famous character, Encyclopedia Brown. “I loved these stories because they were about a kid like me, a kid who solved mysteries with logic and common sense, often exposing the hypocrisy of foolishly dismissive adults. I loved […]

Connect the Pop: Interview with R.L. Stine

Peter Gutierrez interviews R.L. Stine. They talk about Goosebumps, reading, “John Landis’ son” and Stine’s influence on librarians: “We grew up on your books, and now we’re reading them to kids.” Like this:Like Loading…

Letters from Gene Wilder

In a letter to director Mel Stuart, Gene Wilder suggests changes to Willy Wonka’s wardrobe: “A light blue felt hat-band to match with the same light blue fluffy bow tie shows a man who knows how to compliment his blue eyes.” Like this:Like Loading…

RIP, Maurice Sendak

Illustrator and author Maurice Sendak has died.  There are obituaries in The New York Times, The Guardian. The Onion has an obituary as well as reader responses that Sendak would likely appreciate. NPR’s Fresh Air devotes an entire program to Terry Gross’ interviews with Sendak, reflecting their unique relationship. Check through our archives for some […]

John vs. Patrick vs. Carol

John Perkins interviews the Gutter’s Comics Editor and Evil Overlord, Carol on the John vs. Patrick Podcast. There’s some talk of Gutter history and a warning that you don’t want to mess with Romance Editor Chris, she will cut you. Like this:Like Loading…

“White Until Proven Otherwise”

The New Yorker‘s Anna Holmes reads Hunger Games Tweets and interviews its creator about reading, race and racism. “If the stories we tell ourselves about the future, however disturbing, don’t include black people; if readers of The Hunger Games are so blind as to skip over the author’s specific details and themes of appearance, race, […]

3 Reviews of The Hunger Games

In three reviews, Miguel Rodriguez, Peter Gutierrez and Darren Franich consider what was missing from the film’s adaptation of The Hunger Games book–poverty, class and complicity to start. Like this:Like Loading…

Faith Erin Hicks Reflects on The Hunger Games

Faith Erin Hicks has a comic up at Tor.com reflecting on the personal resonances of The Hunger Games. (Hicks has also adapted some of The Hunger Games into a powerful comic). Like this:Like Loading…

Faith Erin Hicks Adapts The Hunger Games

Faith Erin Hicks adapted the first several pages of Suzanne Collins’ The Hunger Games into a comic. At Comics Alliance, she adds her thoughts on adapting a novel into a comic.  “Comics are visual. If you are a cartoonist translating a novel to comics, it is your job to take the words the author has […]

RIP, John Christopher

Novelist Samuel Youd, who wrote as John Christopher, has died. Gutter readers might remember him best for his science fiction series, The Tripods, which was adapted for television by the BBC and Australia’s Seven Networks in the 1980s. The Guardian has an overview of his life and career. Like this:Like Loading…

Stephen Colbert Interviews Maurice Sendak

Part 1 of Stephen Colbert’s interview with Maurice Sendak. And here’s part 2, in which Colbert teaches Sendak to huff markers. Like this:Like Loading…

The Dead Kid Detective Agency Review

Ned Kelly, age 14, reviews, The Dead Kid Detective Agency, by Gutter Guest Star (and interviewee), Evan Munday.  Also, Kirkus reviews it, but Kirkus isn’t 14 years old. Like this:Like Loading…

High Fantasy for Young Adults

At The New Yorker, Adam Gopnik writes about The Lord of the Rings and its influence on young adult fantasy, how Tolkien’s fusing of the epic and the familiarly domestic brought us Eragon and Twilight. “Kids go to fantasy not for escape but for organization, and a little elevation; since life is like this already, […]

An Accidental Masterpiece

Take heart writers and procrastinators, Norton Juster wrote his masterpiece, The Phantom Tollbooth (illustrated by Jules Feiffer), when he should’ve been writing something else. Juster tells the story here. Like this:Like Loading…

Dreadful Thoughts

As an adult, my strongest impressions of horror have come from comics. My childhood ones are almost exclusively from tv—the trailer for Magic and a misguided viewing of the beginning of Andy Warhol’s Frankenstein. But as an adult, I remember picking up the first issue of Neil Gaiman’s Sandman (Vertigo) and being so freaked out […]

“Remember, You are the Future that Nobody Wanted!”

Professor Xavier answers all your questions about your changing body in The “What’s Happening to My Body?” Book for Mutants. (via Comics Alliance) Like this:Like Loading…

Maurice Sendak, Grump without Peer

Maurice Sendak displays his unparalled curmudgeonly powers in an interview with The Guardian. Like this:Like Loading…

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  • Of Note Elsewhere

    Anne Billson has posted a 1985 interview she did with director George Miller (the Mad Max films). Miller talks about many things including Aunty Entity’s probable past as a hero and Max as, in Mel Gibson’s words, “a closet human being.” (Thanks, Matt!)

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    At New York Magazine, David Wallace-Wells writes about bees, colony collapse disorder and beekeeper Dave Hackenberg. “It’s been a long decade for bees. We’ve been panicking about them nonstop since 2006, when beekeeper Dave Hackenberg inspected 2,400 hives wintering in Florida and found 400 of them abandoned — totally empty. American beekeepers had experienced dramatic die-offs before, as recently as the previous winter in California and in regular bouts with a deadly bug called the varroa mite since the 1980s. But those die-offs would at least produce bodies pathologists could study. Here, the bees had just disappeared. In the U.K., they called it Mary Celeste syndrome, after the merchant ship discovered off the Azores in 1872 with not a single passenger aboard. The bees hadn’t even scrawled CROATOAN in honey on the door on their way out of the hive.”

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    Andrew Nette has a pair of interesting pieces on pulp you might be interested in. First, he writes about “the New Pulp” and a bit about Fifty Shades of Gray in “Fifty Shades of Pulp.” Then he writes about pulp and literacy and furthering social advancement in “Pulp and Circumstance.”  “Most people view pulp as either exploitative lowbrow culture or highly collectable retro artefact. Yet pulp has a secret history which Rabinowitz’s book uncovers. Her central thesis is that cheap, mass-produced pulp novels not only provided entertainment and cheap titillating thrills, but also brought modernism to the American people, democratising reading and, in the process, furthering culture and social enlightenment.”

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    The Projection Booth interviews actor Ed Asner.

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    Transcript from BAFTA’s tribute to director Johnnie To, “Johnnie To: A Life In Pictures.” It’s a great interview with To about his films and process. “Like when I made The Mission I didn’t have a script. It was 1999 and I didn’t have any money so we went to Taiwan and they gave us very little money to hurry up and make a film, so without any script we just started making it. And after 19 days we made the film.” (Thanks to the Heroic Sisterhood!)

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    A gallery of sweet geeky art from Native American artist, Jeffrey Veregge. “My origins are not supernatural, nor have they been enhanced by radioactive spiders. I am simply a Native American artist and writer whose creative mantra in best summed up with a word from my tribe’s own language as: ‘taʔčaʔx̣ʷéʔtəŋ,’ which means ‘get into trouble.'”

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