The Cultural Gutter

geek chic with mad technique

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

The Book

Get the Gutter in Book Form with Original Infographic Illustrations by EJ Lee!

From ETC Press
Carol Borden, Ian Driscoll, Jim Munroe, James Schellenberg and Chris Szego. 2011

Science fiction, fantasy, comics, romance, genre movies and games all drain into the Cultural Gutter, a website dedicated to thoughtful articles about disreputable art—media and genres that are a little embarrassing. Irredeemable. Worthy of Note, but rolling like errant pennies back into the gutter. But the writers at the Cultural Gutter know that being canonized isn’t all it’s cracked up to be. Maligned genres and media allow for vital new ways of using old conventions and have more in common with high art, as itchy as that term makes us, than with respectable, middlebrow art. High art is often disdained as something a child could do, as mocking the audience, as degenerate, as trash. Gutter genres and media aren’t known for their subtlety. In fact, their obviousness and their barenakedness is why they’re destined to remain beneath the radar of serious culture — and why they continue to thrive. The Cultural Gutter is dangerous because we have a philosophy. We try to balance enthusiasm with clear-eyed, honest engagement with the material and with our readers. This book expands on our mission with 10 articles each from science fiction/fantasy editor James Schellenberg, comics editor and publisher Carol Borden, romance editor Chris Szego, screen editor Ian Driscoll and founding editor and former games editor Jim Munroe.

Available in print from Lulu and Amazon.com or in digital formats.

(Digital editions are not illlustrated)

 

Some kind words about The Cultural Gutter:

“Call it Pop Culture, call it Disposable Culture, call it Trash Culture. Whatever, it is OUR culture, and Carol Borden and company give it more than just geek love, they give it proper respect, in the form of considered opinion, deep analysis, and intelligent wit.”

John Crye
Creative Director, Newmarket Films

“I found the Cultural Gutter by accident, while I was trolling for information about an author who was successful, but not well-regarded by literary critics. I came back to the site regularly, because reading the Cultural Gutter is like attending a party where everyone is interesting, witty, and well-informed. I enjoy the articles both when I know nothing about the cultural artifact in question, and even more when I do.”

Lorna Toolis
Collection Head, Merril Collection of Science Fiction, Speculation and Fantasy

“I rely on the Cultural Gutter’s dedication to getting down and dirty to sift through the refuse and debris of un-popular culture past, present and future on a regular basis.”

Colin Geddes
Midnight Madness and International Programmer, Toronto International Film Festival

 

The Cultural Gutter is licensed under a Attribution-NonCommercial-ShareAlike 2.5 License

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  • Of Note Elsewhere

    Dr. Nerdlove takes a brief break from helping the nerd get the girl to address something that’s been bugging him. “Pardon me while I go off on a bit of a media criticism/ rant here. So I’ve been enjoying the *hell* out of The Flash lately except for one thing: Iris Allen. Her character is screen death; every time she’s around, everything comes to a screeching halt.

    The problem is: it’s not her fault, it’s the writers. Rather like Laurel Lance in the first two seasons of Arrow, she has Lois Lane syndrome. Her (like Laurel and Lois) entire character arc is based around being ignorant of events that literally everyone else in her life is aware of.”

    ~

    Get your own copy of the Satanic Temple’s The Satanic Children’s Big Book of Activities!

    ~

    At The Atlantic, Ta-Nehisi Coates writes about Dr. Doom: “Comics are so often seen as the province of white geeky nerds. But, more broadly, comics are  the literature of outcasts, of pariahs, of Jews, of gays, of blacks. It’s really no mistake that we saw ourselves in Doom, Magneto or Rogue.”

    ~

    Actor Ken Takakura has died. Takakura starred in films such as Brutal Tales of Chivalry (1965); Red Peony Gambler (1968); Miyamoto Musashi: Duel at Ichijoji (1955) and Miyamoto Musashi: Duel at Ganryu Island (1956); as well as in co-productions like The Yakuza (1974); The Bullet Train (1975); Black Rain (1989) and Riding Alone For Thousands Of Miles (2005).  The Japan Times, The South China Morning Post and The AV Club have obituaries. Japan Subculture has an interview with Takakura. Here Takakura sings the theme to Abhashiri Prison (1965)

    ~

    Producer, writer and director Glen A. Larson has died. Larson was responsible for creating tv series such as Battlestar Galactica, Magnum P.I, Knight Rider, The Fall Guy, Quincy M.E., The Hardy Boys/Nancy Drew Mysteries and Buck Rogers In The 25Th Century, about which the Gutter’s own Keith wrote here. The New York Times, The Hollywood Reporter and The AV Club have obituaries. Watch Larson’s interview from 2010 at “Battlestar Galactica: The Exhibition”.

    ~

    At Re/Action, Maddy Myers writes about how important the Metroid franchise, in both game and manga form, and its protagonist, Samus Aran, were to her. “Samus still represents a breakthrough. She first took off her armor to reveal a woman’s form back in 1986, the year that I was born. Samus and I grew up separately, kindred spirits who did not find one another until 2007. A best friend, a fraternal twin sister, a clone separated at birth. Or so I felt, as I let myself slip behind that visor. I wasn’t Samus myself – not yet. I stood behind her, hanging back. Did I dare? Did I dare pretend, role-play, allow myself to act as Samus? Could I be that cool?”

    ~

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