The Cultural Gutter

unashamed geekery

"We are all in the gutter, but some of us are looking at the stars." -- Oscar Wilde

The Book

Get the Gutter in Book Form with Original Infographic Illustrations by EJ Lee!

From ETC Press
Carol Borden, Ian Driscoll, Jim Munroe, James Schellenberg and Chris Szego. 2011

Science fiction, fantasy, comics, romance, genre movies and games all drain into the Cultural Gutter, a website dedicated to thoughtful articles about disreputable art—media and genres that are a little embarrassing. Irredeemable. Worthy of Note, but rolling like errant pennies back into the gutter. But the writers at the Cultural Gutter know that being canonized isn’t all it’s cracked up to be. Maligned genres and media allow for vital new ways of using old conventions and have more in common with high art, as itchy as that term makes us, than with respectable, middlebrow art. High art is often disdained as something a child could do, as mocking the audience, as degenerate, as trash. Gutter genres and media aren’t known for their subtlety. In fact, their obviousness and their barenakedness is why they’re destined to remain beneath the radar of serious culture — and why they continue to thrive. The Cultural Gutter is dangerous because we have a philosophy. We try to balance enthusiasm with clear-eyed, honest engagement with the material and with our readers. This book expands on our mission with 10 articles each from science fiction/fantasy editor James Schellenberg, comics editor and publisher Carol Borden, romance editor Chris Szego, screen editor Ian Driscoll and founding editor and former games editor Jim Munroe.

Available in print from Lulu and Amazon.com or in digital formats.

(Digital editions are not illlustrated)

 

Some kind words about The Cultural Gutter:

“Call it Pop Culture, call it Disposable Culture, call it Trash Culture. Whatever, it is OUR culture, and Carol Borden and company give it more than just geek love, they give it proper respect, in the form of considered opinion, deep analysis, and intelligent wit.”

John Crye
Creative Director, Newmarket Films

“I found the Cultural Gutter by accident, while I was trolling for information about an author who was successful, but not well-regarded by literary critics. I came back to the site regularly, because reading the Cultural Gutter is like attending a party where everyone is interesting, witty, and well-informed. I enjoy the articles both when I know nothing about the cultural artifact in question, and even more when I do.”

Lorna Toolis
Collection Head, Merril Collection of Science Fiction, Speculation and Fantasy

“I rely on the Cultural Gutter’s dedication to getting down and dirty to sift through the refuse and debris of un-popular culture past, present and future on a regular basis.”

Colin Geddes
Midnight Madness and International Programmer, Toronto International Film Festival

 

The Cultural Gutter is licensed under a Attribution-NonCommercial-ShareAlike 2.5 License

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  • The Book!

  • Of Note Elsewhere

    At Boing Boing, Gita Jackson writes about gaming, art, minority voices, colonialism and Benedict Anderson’s “imagined communities”: “When marginalized voices come to take their seat at the table, there will always be an outcry that they are invaders, colonists, inferior versions of their straight, white male counterparts. But rather than killing artforms, the addition of marginalized voices often helps ensure that they stay alive.”

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    Every Frame A Painting returns to analysis of Akira Kurosawa’s work.

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    At The Nib, Ronald Wimberley tells a story and elucidates the implications of being asked to lighten a character’s skin tone for a Wolverine And the X-Men jam comic.

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    “Commercial cinema has predictably chosen not to bite the hand that feeds it, so it’s simultaneously inspiring and also kind of embarrassing to see a movie like Seijun Suzuki’s Story of Sorrow and Sadness. Rarely has a mainstream commercial release been as rabid in its attack, and as thoughtful in its critique, of our dystopian mediascape. And it should embarrass current commercial filmmakers that one of the few movies to have something intelligent to say about today’s mediascape was made almost 40 years ago. By a 54 year old director. About golf.” More at Kaiju Shakedown.

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    Time Out London shares its list of the 100 best Bollywood films–including selections by friend of the Gutter, Beth Watkins of Beth Loves Bollywood. (See the 10 films she selected and wrote about in the greater list here).

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    At Multiglom, film critic Anne Bilson apologizes to Keanu Reeves: “Keanu Reeves, I must apologise. For years, like other film critics, I cast aspersions on your acting talent, belittled your intellect, and cracked jokes about your name, which means ‘cool breeze over the mountains’ in Hawaiian. Only now do I realise I was foolish and misguided. That YouTube video of you giving up your seat on the New York City metro is only the latest evidence that, onscreen and off, you are awesome.”

    ~

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